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  • P-ISSN1738-6764
  • E-ISSN2093-7504
  • KCI

The Visual Evolution of Korean Documentaries Using CG in the 1990s

INTERNATIONAL JOURNAL OF CONTENTS / INTERNATIONAL JOURNAL OF CONTENTS, (P)1738-6764; (E)2093-7504
2025, v.21 no.3, pp.102-115
Nah So Mi

Abstract

Since the 1980s, the active participation of domestic broadcasting companies in producing Korean documentaries has significantly transformed the field. This shift has led to the creation of programs that explore a wide range of local topics, establishing documentaries as essential tools for conveying knowledge and cultural values. The advent of digital technology has further changed the visual presentation of documentaries, enabling the integration of computer graphics (CG) and animation. These innovations have made complex scientific concepts, historical events, and intricate information more accessible and understandable, thereby enhancing their educational function. This study examines the impact of digital technology, particularly CG, on Korean documentary production since the 1980s. It explores how CG has been employed for information delivery and historical representation, improving both the viewing experience and the social role of documentaries. With advancements in CG and virtual studios, documentaries have evolved from simple records into immersive visual experiences that amplify their social impact. This paper highlights how these technological advancements have transformed documentaries into powerful mediums for education and cultural storytelling, thereby increasing their influence and value in society.

keywords
Computer Graphics, Documentary CG, Digital Technology, Historical Reproduction, Korean Documentary

INTERNATIONAL JOURNAL OF CONTENTS