Abstract

Classic Korean family novels from the late Joseon period embody a worldview in which the rise and fall of dynasties are regarded as cyclic. The manifestation of this cyclical view of history can be divided into two modes: one reveals the repeated alternation between periods of stable rule (治世) and turbulent times (亂世) while the other demonstrates how, immediately following an age of order, an era of disorder inevitably ensues. Representative works, such as Sohyeonseongrok and the Cheonsuseok series, exemplify the former mode where the family regains its honor and achieves continuity or revival in tandem with the fortune of the dynasty. By contrast, works, such as Yuhyogongseonhaengrok and the Boeungiurok series, illustrate the latter pattern, highlighting the decline of the dynasty. The realization of this cyclical historical perspective determines the emotional resonance of these works, prompting reflection on the mutable relationship between dynasty and family as well as generating implicit questions about the ideology of loyalty and filial piety. Furthermore, through the family’s response to these historical circumstances, the author’s own historical views and value orientation toward the work are revealed. Some family novels go beyond merely accepting historical events as facts; they demonstrate a profound understanding and interpretation of the historical discourse.